Whilst most reviewers try to keep a constant pitch between reviewed thing and oneself, I take offensive on that kind of behaviour and try to change the world. For that reason please find below my […]

To give you a certain feeling for the time this album was released I went into the local library and got hold of old newspapers. 1986 was when Canada got beaten by France 0:1 in […]

When one is reviewing an album one must not use the internet for prior research purposes, otherwise the first impression, which is most of the time the best one, is influenced by fansites, hatesites or […]

VIRUS has always been a rather unpredictable proposition and Oblivion Clock is no different, bringing minimal and concentrated playing, the one the band is precisely known for, into its maximum, further experimental status. A frantic, […]

10 hanekian fragments of being without Voivod. No backgroundmusic unless mentioned. No cameramovement whatsoever unless mentioned. Scene 1, 3:58: Boy sits on desk in front of pc, occasionally uses the keyboard, most of the time […]

I find it hard to tackle an album like this, which grew on me and I grew with him. Yet I must give this dark massive entity a voice within the realms of fellow ground-shakers […]

Without much prior warning, UK’s prodigal post-black metallers VOID kicked off 2011 with their sudden return to arms, after mysteriously diving below the radar after 2003’s close circuit-heralded Posthuman album debut. This electronically infused debut […]

Virus’ The Black Flux could be held up as a defining example of avant-garde music. There is almost nothing catchy about this album. In short, it’s an acquired taste. Flux is the band’s sophomore effort. […]