The first album proper (self released that is) from a meeting of young yet prodigously talented minds, this is indeed as avant garde as they come. Starting with a backward guitar melody that morphs ito […]
I volunteered for this one based on the name, but if there is one thing I have learned in reviewing, never judge a book by its cover. The actual cover is an intentionally childish (or […]
The first Beyond Dawn release I heard was the “Longing for Scarlet Days” EP, a droning black metal affair with a bleak goth rock—dare I say Celtic Frost-influenced—atmosphere and a trombone. With its murky production, […]
I give it up, I give in – this is love, this is sin. A brief glimpse of hope in a life fucked up by the turmoil of loss and betrayal. Calm resolution when facing […]
This review will begin with a short questionnaire. If your answer to one or more of these following statements is affirmative, close this window and go ahead and buy the CD. If none of these […]
“Electric Sulking Machine” is a uniquely light reprieve in Beyond Dawn’s discography, having very little metal and not much of the electropop sound that would replace it. It’s a sparse, lethargic pop record with subtle […]
“Revelry” is pretty bleak in a subdued kind of way, a post-black metal doom album with a subtly experimental bent and an expressive rock sensibility. The album’s a little like a more metallic late-period Swans, […]
The very recent EP of BtBaM does not sound very different than their previous records. The reason for the release of this EP, it seems, is to celebrate their signing with Metal Blade. I sometimes […]
It’s tempting… I am about to use tons of metaphors and comparisons to describe BtBaM’s music. Yet, I won’t. I won’t be tempted to list the bands that BtBaM reminds me of, and I won’t […]
I was wondering what Krauts would sound like that can be found in the ‘Kielwasser’ of Avantgarde Metal. ‘Kielwasser’ is a German word for ‘wake’. ‘Kiel’ (which is also a German city) is a nautical […]
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